I give human form to things that are hard to picture.

Art director and senior brand designer, working across illustration, motion and physical experiences.

Selected work

Monetarium 2 key artwork: Washington monuments, oak leaves, hands and modular cubes Monetarium 2Art direction, brand design and motionWashington’s legacy, redrawn for better money Reserve homepage illustration: a perspective tunnel of colourful grids, coins and plants ReserveBrand design and illustrationFrom a dollar app to onchain index funds Uglyman, the UGLYCASH action figure: a green figure with a banknote for a head, in brown trousers, with yellow Limited Supply tags UGLYCASHCharacter design, illustration and animationA hero for people fighting inflation The printed picture book open on a woven surface, showing the pink rhinoceros illustration A estória do sol e do rinoceronteIllustration and editorial designA picture book about strength and tenderness An illuminated forest of plants, animals and mountains from A Translating Body A Translating BodyIllustration, animation and spatial experienceAnimation for Parque Explora’s immersive installation Wake+Make coffee bag and Upwork mug on yellow Upwork, Wake+MakePackaging illustrationThe quiet cup of coffee before the working day A parade float shaped like a green jaguar-dragon carrying revellers in masks and costumes, an illustration from Canva Represents Colombia Canva RepresentsIllustration collectionColombia and its everyday life Odysseus at sea, surrounded by the women who shape his journey: editorial illustration for Süddeutsche Zeitung Süddeutsche ZeitungEditorial illustrationThe Odyssey: A Complicated Man
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I have also worked with

  • Snapchat
  • Airbnb
  • Upwork
  • Adobe
  • Amnesty International
  • Avianca
  • Alcaldía de Medellín
  • Fiesta del Libro y la Cultura de Medellín

Kathiuska

As Kathiuska, I make films, comics and objects. I’m interested in human emotions, personal and collective memory, and the natural world, especially plants and the expressive possibilities of color.

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